It confirms their unjustifiable relishing of moral decay, and while it's impossible to comprehend or condone, the energy and flair is undeniable.Īll that said, the Neptunes' mystifying, irregular sonics further elevate the record. Rarely explicitly violent, their blistering conviction feels like carnage on "What It Do (Wamp Wamp)"- Malice even compares himself to the genocidal Hutu tribe on the track. Occasionally they recall duos of the past- EPMD's playfulness, Outkast's willingness to attempt the unconventional, Mobb Deep's unerring rancor- but they're true only to their sound, a simmering executioner's song. Me Too" wasn't enough notice, Clipse are self-contained entities, seemingly uninfluenced by their contemporaries. (Jay-Z, take note: Sometimes directness is a blessing.)Īnd, as if the sniping slow burn of lead single "Mr. Their rhyme patterns aren't overwhelmingly technical Pusha rhymes straightforward syllables without tangling his syntax into a jumbled hush-mutter. His elder brother, Malice, is the vulnerable antecedent, not without floss but more leaning on family and fraternity: "Grandma, look at me, I'm turnin' the other cheek," he laments on "We Got It For Cheap (Intro)". The younger Thornton brother, Pusha, remains star and stylist, brazenly dishing on minor details like his sunglasses ("Louis V Millionaires to kill the glare") while injecting a malevolent, almost maniacal intensity to his verses. The two men in the middle of it all are brilliant at nearly every turn. This is lifestyle assertion, not something as negligible and confined as drug music. The results spray everywhere, from the vacant spending spree of "Dirty Money" to the terrifyingly earned braggadocio of "Trill". This album isn't about cocaine per se it's the aftershock of a coke sale-infused existence. But the subject matter remained mostly street talk- deals, slang, stunting- with dabs of glitz tossed in. 2, elucidating both their ethical and financial dealings: They were cold-blooded, joyous, and morally complex all at once. Push and Mal spent much of their lauded 2005 mixtape, We Got It 4 Cheap Vol. Together, the quartet has crafted an album that's sonically deep, dark, and one of 2006's finest.Īn unforgivable mean streak powers this album, which is no surprise considering the endlessly documented label drama Clipse have endured, and the ascetic rage that courses through their music. Lyrically, the album is spare and incisive- wordplay abounds but the punches are quick and devastating- and musically, Malice and Pusha T have arguably snatched the best dozen Neptunes tracks in years. With musical partners the Neptunes, Clipse have crafted 12 unrelenting tales of desperation and distribution, glamour and gloating. With the long-delayed, viciously imagined Hell Hath No Fury, Clipse- hip-hop's meanest, smartest duo- have done what a gathering collection of internet seekers, record-store goers, and street corner mixtape shoppers hoped they might: release a classic.
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